last modified Aug 21 2010 |
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Miminokoto-All About Mimi (PSF Records/JPN/PSFD188/CD/2009) |
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| CD-2300JPY | |
Personnel: |
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Notes: Miminokoto's 1st Album Since the band Joined by Suzuki Junzo. Two Kaneko Jutok's Cover included. -- |
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REVIEW:
* "Another first release on PSF for Miminokoto , a Tokyo-based garage psychedelic rock trio who have previously released a string of acclaimed albums on the Alchemy, Gyuune, Siwa and Last Visible Dog labels. This is the group's first album since Junzo Suzuki (20 Guilders, Astral Travelling Unity, ex Overhang Party) took over on vocals and guitar. The key to this group has always been their deep sense of song -- a densely emotive core around which the songs surge, billow and break. That core is retained here with an even harder psychedelic edge to the guitar. Includes two covers of songs by the late Jutok Kaneko of Kousokuya. Forty minutes, seven tracks." -- Alan Cummings * Woah ? some kinda upheaval in the ranks of Miminokoto results in the replacement of Masami Kawaguchi with Suzuki Junzo (Astral Travelling Unit/Overhang Party) on guitar and vocals and then they only go and cut an unbelievable album for PSF with no less than two (!) cover versions of Kousokuya tracks penned by the late Jutok Kaneko. To say that this is precisely my kinda deal is state the bleeding obvious. One of the things that always made Miminokoto stand out was the languorous, sun-swallowing vocal style of Kawaguchi and Junzo does a great job of approximating his post-Jim Morrison style. Of course no one can play Kaneko material with quite the brokedown gravity of Kaneko himself but these fantastic re-thinks (of “Hour Of Death” and “Farside Of The Dream” specifically) demonstrate what a fantastic and talented composer he was. Still miss him. Miminokoto's own tracks are totally classic and they have the feel of an earlier generation of PSF artists, with doomy death-decadent ballads soaked in reverb while single chords hang in the air and Junzo's vocals waft around them like smoke. The lead guitar work is totally thrilling and the rhythm section of bassist Takuya Nishimura and drummer Koji Shimura have that classic minimal/explosive style down to a teardrop. A classic PSF side, an amazing reinvention, this is the sound of the psychedelic Japanese underground. Highly recommended. -- Volcanic Tongue (Scotland/UK) * Following a lineup change, Miminokoto released a superb live CDR last year, which had me looking forward to a new official album ? and here it is, albeit under the name New Miminokoto, apparently to distinguish itself from the earlier incarnation. The main change is guitarist and vocalist Junzo Suzuki, who has been mentioned on this blog before. His style isn't radically different from previous guitarist Masami Kawaguchi, who's busy now with his own New Rock Syndicate, but Suzuki's feel seems even better suited for the dark, bluesy psychedelia of Miminokoto. His voice is passionate, and his guitar work moves fluidly from slow, delicate strumming into fierce fuzz-driven leads. Drummer Koji Shimura, the group leader, is joined by bassist-around-town Takuya Nishimura, whose bass alternates between steady, solid rhythm work and busier melodic playing. Miminokoto has never made a secret of its inspiration from Kousokuya's main man Kaneko Jutok, and here tribute is paid with two of Kaneko's songs. The first, “Hour of Death,” might be my favorite piece on the album. A few years ago I was scheduled to play a show in Tokyo on a bill with Kaneko, but he shockingly passed away a month or so before the show. Instead, I was fortunate to see Shimura join a tribute to Kaneko with singer Mick and, if I recall correctly, Nishimura on bass. |
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